C.U.N.T. ROCK LIVE! The Countess was born green and excited into the mouth of the crumbling decaying world. Unable to digest solid food or authority by 15 she wound up in Miami's South Beach and was discovered by the electro pioneer John Robie. Many aborted record deals followed with collaborations with, among others: 2live crew's producer Mark Baccaccio; kc and the sunshine band members; the Sex Pistols' Glenn Matlock & Paul Cook; the late Matthew Ashman of Adam & the Ants/Bow Wow Wow; Matthew Selligman; Jon Reynolds; Dave Stewart and a bunch of old punks who tolerated her haircuts and hysteria while finding her tuneful and tiresome. LL Cool J's label offered her a deal and compared her to 'Patti Smith with programming'. The eventual album that emerged on her own label received critical acclaim in NME, Melody Maker and Rolling Stone. In 2003 she founded the C.U.N.T Rock Revolution standing for 'C.an’t U.nderstand N.ormal T.hinking' and following the inspiration of a book about the nature of synchronicity being the basis for all creation, started a band with people who all walked into the same kebab shop on the Edgware Road on August 1st 2003. By December 2003, following just 2 shows, Designer Magazine pronounced her 'woman of the year'. They cited the C.U.N.T rock revolution as the most legitimate musical movement of the decade. The same summer the Countess acting on the discipline of the random manifesto met EON loitering on the Portobello Road, fell in love with his other worldly cheekbones and collaborated on the cult 12" 'Broke Bitter and Twisted'. A delightful video of the Countess being gang raped whilst cheerfully singing came to the attention of Mark Moore who played it at his Electrogogo night at Madame Jojo's and signed the next single 'Magazines' (a satirical savaging of recognizable trite urbanites) to his new Umami label. 'Magazines' content has already been described as 'the lyrical wit of Oscar Wilde and Bob Dylan set to electro sung by David Bowie and Marianne Faithfull's love child' by Rolling Stone.